CAMELOT
"Costumes are great,"  and the designers "go for broke, with references to Tolkien and Rackham as well as "the Mists of Avalon."  LA Times
“Intricate detail informs Marcy Froehlich’s sumptuous costumes.” Orange County Register
"The impressive production designs adequately evoke the mystical period."  Variety
“…costumes have a certain colorful opulence.”  www.presstelegram.com
"McCoy also said he gave them a $2 million budget and told them to make it look like $7 million.  They have. Lush costumes utilizing velvets and satins…”  www.broadwaytovegas.com 

EVITA
“Marcy Froehlich’s costumes are nicely representative of the period.  I particularly like Eva’s patterned dress, as she arrives in Buenos Aires, surrounded by muted browns and tans.  It’s a lovely visual portrait.”  Davis Enterprise

HAMLET
“…designer Marcy Froehlich’s smashing Empire costumes.”  LA Times
“Exquisite period costumes reflect the grandeur of the Danish royal court in the era of the Napoleonic wars.”  Santa Barbara Independent


IMPORTANCE OF BEING EARNEST
“…character-enhancing costumes.”  The Star
“The costumes were flairfully gorgeous.” The Tolucan Times
“…costumes are quite amusing; I especially liked Lady Bracknell’s feathered hat in Act One.” News Press


MAN OF LA MANCHA
”…a perfection in costuming.”  The Tolucan Times”
“…his design team…who imbue the proceedings with a breathtaking theatrical flourish.”  Backstage West
“Marcy Froehlich’s 16th century costumes are richly evocative.”  LA Times


PIRATES OF PENZANCE
“…great period costumes.”  Sacramento Gazette
“She outdid herself this time. Wow! Costumes are right on!”  Gold Country Times

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